46,894 Free Images of Colored Lithograph

etchings in the yale center for british artetchinghand-coloredyale center for british artisaac cruikshankjames gillrayrichard newtonjohn cawse
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
etchings in the yale center for british artjames gillray
The Doctor Indulged with his Favorite Scene ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Alessandro Sanquirico - Luogo destinato ai Sepolcri dei re di Danimarca (set design for the opera 'Amleto' by Mercadante, 1822) (cropped), Alessandro Sanquirico, circa 1827
scenographies by alessandro sanquiricoteatro alla scala scenic design
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
A Visit to the R---l Cole Pit, Richard Newton, 1791
etchings in the yale center for british artrichard newton
The Fruition of Nantes or the Vision Interpreted, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
La Derniere Resource; - or - Van-Buchells, James Gillray, 1791
etchings in the yale center for british artjames gillray
Birds of a Feather, Flock Together - or Bond Street Loungers Attending the Examination of Their Fellow Scarecrows!, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
A Flight of Parsons, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
An Astonishing Paragraph, Richard Newton, 1791
etchings in the yale center for british artrichard newton
A Brace of Blessings, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Pull Devil - Pull Parson, Richard Newton, 1795
etchings in the yale center for british artrichard newton
The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---, James Gillray, 1795
etchings in the yale center for british artjames gillray
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch, James Gillray, 1783
etchings in the yale center for british artjames gillray
The Sick Prince, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The U---'s Introduction at St. J(ame)s's with a New Suit of Irish Manufacture, Isaac Cruikshank, 1787
etchings in the yale center for british artisaac cruikshank
The Antiquities of Malmsbury, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square, James Gillray, 1796
etchings in the yale center for british artjames gillray
Preparing for Action or an English Man of War engaging Two Dutch Doggers, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3), Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Rival Pigs, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The - Battle Royal, or Who Wears the Breeches, James Gillray, 1784
etchings in the yale center for british artjames gillray
The Prodigal Son, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Slough of Despond----; Vide - The Patriots Progress, James Gillray, 1793
etchings in the yale center for british artjames gillray
Reilly Karte von Deutschland, Daniel Friedrich Sotzmann, between 1794 and 1796
daniel friedrich sotzmanngrosser deutscher atlas
Polonius, The Tallest, Fittest, Properest, Man to Walk before the King!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar, James Gillray, 1797
etchings in the yale center for british artjames gillray
Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Gloria Mundi, or - The Devil Addressing the Sun, James Gillray, 1782
etchings in the yale center for british artjames gillray
Buonaparte at Rome Giving Audience in State, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Rape of Helen, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Finishing Touch, James Gillray, 1791
etchings in the yale center for british artjames gillray
Frith the Madman Hurling Treason at the King, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Getting the Length of the Duchess's Foot, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Dutch in an Uproar or the Batavian Republic Crying for Winter, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Legacy, James Gillray, 1786
etchings in the yale center for british artjames gillray
Billy & Harry in Their Glory or a Great Man Kicked Out of Place, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
A Section of a Magnificent & Superb Water Closet ---, James Gillray, circa 1790
etchings in the yale center for british artjames gillray
Louis XVI Taking Leave of His Wife and Family, James Gillray, 1793
etchings in the yale center for british artjames gillray
The Dutch Divisions, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Moment of Reflection or a Tale for Future Times!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Jack A Both Sides!, James Gillray, 1783
etchings in the yale center for british artjames gillray
Les Trois Magots, James Gillray, 1791
etchings in the yale center for british artjames gillray
The Salute, - Vide, The Parade, James Gillray, 1797
etchings in the yale center for british artjames gillray
Political Sparring, for the Amusement of English Spanish French and Dutch Masters and Misses (from: Caricature, vol. 4), Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
The Buck & the Goose, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
The Grand-Signior Retiring, James Gillray, 1796
etchings in the yale center for british artjames gillray
Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Gilpin Whigs Return to Rochester without their Candidate, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
Pylades & Orestes (Stadtholder & His Secretary), James Gillray, 1797
etchings in the yale center for british artjames gillray
A Recent Escape, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Irish Howl or the Catholics in Fitz!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Scene Le Vrog House, James Gillray, 1782
etchings in the yale center for british artjames gillray
The Introduction, James Gillray, 1791
etchings in the yale center for british artjames gillray
Retaliation!!!, Richard Newton, 1797
etchings in the yale center for british artrichard newton
Committee of Grievances and Apprehensions, James Gillray, 1792
etchings in the yale center for british artjames gillray
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary, James Gillray, 1799
etchings in the yale center for british artjames gillray
The British Menagerie, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The Treaty of Peace, or Satisfaction for all Parties, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
General Buonaparte, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
And The' - Tisick, - The Colic, Punch Cures The Gout, James Gillray, 1799
etchings in the yale center for british artjames gillray
Old Hat or a Serious Divertisement as Performed at the Chap(p)el Royal, John Cawse, 1800
etchings in the yale center for british artjohn cawse
A Serious Thought of a Plain Englishman, in 1793, Richard Newton
etchings in the yale center for british artrichard newton
The Triumphant Britons, James Gillray, 1780
etchings in the yale center for british artjames gillray
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform, James Gillray, 1788
etchings in the yale center for british artjames gillray
Gloria Mundi, or The Devil Addressing the Sun, James Gillray, circa 1782
etchings in the yale center for british artjames gillray
Resurection (sic) Men Disturbed, or a Guilty Conscience Needs no Accuser (from: Caricature, vol. 3), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
What a Cur ' tis, James Gillray, 1795
etchings in the yale center for british artjames gillray
Beheading (untitled), Richard Newton, 1796
etchings in the yale center for british artrichard newton
The Republican - Hercules Defending His Country, James Gillray, 1797
etchings in the yale center for british artjames gillray
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land, James Gillray, 1795
etchings in the yale center for british artjames gillray
Retort Courteous or the Disloyal Address returned without Ceremony, Richard Newton, 1797
etchings in the yale center for british artrichard newton
The Birth of Billy Bugaboo, Richard Newton, 1793
etchings in the yale center for british artrichard newton
Opening the Ambassadors Ball in Paris, Richard Newton, 1794
etchings in the yale center for british artrichard newton
A Visit to the Grandfather, How Do Grand Pa?, Richard Newton, 1792
etchings in the yale center for british artrichard newton
The Misers Economy, Richard Newton, 1794
etchings in the yale center for british artrichard newton
Improvement in Weights and Measures. - or - "Sir John Seeclear Discovering e/y Ballance of e/y Flag" (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Patience on a Monument, James Gillray, 1791
etchings in the yale center for british artjames gillray
The Genius of France Extirpating Despo-tism Tyranny and Oppression from the Face of the Earth, Or - The Royal Warriors Defeated, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Bonne Farte Raising a Southerly Wind, or a Sketch of the Inteded Invasion Found at the Door of Brooks's in St. James's Street (from: Caricature, vol. 3), Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Hint to Modern Sculptors, as an Ornament to a Future Square ---, James Gillray, 1796
etchings in the yale center for british artjames gillray
Half Seas Over, Alias the Hopes of the Family, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Pleasure of Being Kick'd Out of Company, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Great Swallow All!!! Disgorging, or French Bullie too Hot for the Bears Stomach, John Cawse, 1799
etchings in the yale center for british artjohn cawse
Prelude to Crim Con and The Finale, Richard Newton, 1793
etchings in the yale center for british artrichard newton
The Delegates in Council or Beggars on Horseback, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Cooling the Brain - or - The Little Major, Shaving the Shaver, James Gillray, 1789
etchings in the yale center for british artjames gillray
A Blow-up at Breakfast, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Parsonic Piety (Good Precepts do As I Say - but Bad Examples Not as I Do), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Divertions of Purley, Or Opposition Attending Their Private Affairs, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Duelist's or Sunday's Amusement, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Little Farthing Rush Light, Isaac Cruikshank, circa 1792
etchings in the yale center for british artisaac cruikshank
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master, James Gillray, 1791
etchings in the yale center for british artjames gillray
A Lesson for Princes, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Bachelor's Hall, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
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